Android's Bionic Woman: Women Rule
Check out the Droid Bionic teaser:

Check out the Droid Bionic teaser:
Last week I made the trek to Coney Island with friends for a Brooklyn Cyclones game. We grabbed pizzas from Totonnos, ate slices near the Jackie Robinson memorial, and drank beer together under the stadium awning while rain and lightning shut down the game for over an hour.
So, hey, here's a round-up of the flicks I saw this past week.
Late summer days always make me think of things I haven't done: kites I haven't flown, beaches I haven't been to, lazy lemonade days that probably don't exist (but I want them anyway). The weight of this list makes me forget that I've eaten tacos on the West Coast twice in the past month, and marveled at fireflies in Georgia, and laughed with friends by the side of a bonfire over the 4th of July. I always want to soak up the most of what's here and now in the sunny times. But late summer lets me admit some relief. The shade feels good, and I look forward to not seeing everyone's bra straps all the time. When my bike gets a flat tire, the G train is a giant metal inchworm. But its cool air feels so nice.
Check out my friend Seth Shelden putting his lawyering skills on display in this Washington City Paper post about Chompie/Chompy the Shark, the inflatable mascot for Discovery's Shark Week. At issue is a blogger who named the shark Chompy during its original installation, who's now miffed that Discovery has taken to calling it Chompie. He contends that it's a misspelling (and that he's not getting any credit). Anyhow, Seth busts out some trademark law on this issue, and makes what I think is an increasingly important point about trademark in our digital world: "Trademark law isn't interested in protecting creativity; it's interested in ensuring that consumers aren't confused about the source of a good or a service."
Attack the Block slayed me with some serious awesomess: it's entertaining from beginning to end, it has a sharp script and a pack of dynamic young actors that bring it to life without making it seem like work (mad props especially to John Boyega and Alex Esmail), and it surfaces a variety of real issues (racism, classism, what it means to be part of a block) with a very deft touch. I can't help but think that John Carpenter would love this film.